Historical Concert
English Glees, Songs, and Instrumental Music.
Venue:
The Harmonists
	       Mr James Richardson - vocalist
	       Mr Thomas Richardson, junr - vocalist
	       Mr William Richardson - vocalist
	       Mr John H. Kennedy - vocalist
	Mr A. Scott Jupp - organ and pianoforte
	Professor Niecks - violin
	Mr J. F. Guyer - violin
	      
Part I
1. Prelude and fugue in C minor for the organ ... Samuel Wesley
2. Three glees
      (a) "Now the bright morning star" ... Dr Benjamin Cooke
	      (b) "How sweet, how fresh" ... Stephen Paxton
	      (c) "The request" ... Garrett Colley Wellesley, Earl of Mornington
3. Sonata in G major for the pianoforte ... Thomas Augustine Arne
4. A song: "Sally in our alley" ... Henry Carey
5. Two glees
      (a) "Discord, dire sister" ... Samuel Webbe
	      (b) "Return, blest days" ... John Stafford Smith
Part II
6. Prelude and fugue in D minor for the organ ... Samuel Wesley
7. A song: "Quaff with me the purple wine" ... William Shield
8. Two glees
       (a) "Crabbed age and youth" ... Richard John Samuel Stevens
	       (b) "Go, idle boy" ... John Wall Callcott
9. The Golden sonata ... Henry Purcell
10. Two glees
       (a) "Come, Clara, as the lily fair" ... Reginald Spofforth
	       (b) "By Celia's arbour" ... William Horsley
Composer(s):
- Wesley, Samuel, 1766-1837
 - Cooke, Benjamin, 1734-1793
 - Paxton, Stephen, 1734-1787
 - Wellesley (Wesley), Garrett Colley, 1735-1781
 - Arne, Thomas Augustine, 1710-1778
 - Carey, Henry, 1689?-1743
 - Webbe, Samuel, 1740-1816
 - Smith, John Stafford, 1750-1836
 - Shield, William, 1748-1829
 - Stevens, R. J. S. (Richard John Samuel), 1757-1837
 - Callcott, John Wall, 1766-1821
 - Purcell, Henry, 1659-1695
 - Spofforth, Reginald, 1768-1827
 - Horsley, William, 1774-1858
 
Performer(s):
Performance Type:
The prelimary note (p.2) consists of a one-page essay devoted mainly to the glee.
On the outside back page - dates and programmes of the six historical concerts for the 1895-1896 season.
Promoter:
The programme does not provide the movement titles or the number of the Arne sonata in G major. Since Arne composed two keyboard sonatas in G major, it is not possible to identify which of these was performed on this occasion.
    
      