March no. IV: March of the 42nd or old highland regiment, "In the garb of old Gaul"
This work was chosen in 1841 by Professor John Thomson to feature in the first Reid Concert in 1841 as representative of the works of General Reid. In the programme booklet for the 1841 concert he wrote:
"This composition will be at once recognised as that to which the well-known verses “In the garb of old Gaul” have been written. Any other March might have been selected from the set, but it was thought that the performance of this fine melody in its original form would prove interesting, more particularly as the public are now, for the first time, made aware of the name of the author to whom they are indebted for one of the most vigorous and spirit-stirring of our adopted National Songs."
The work was composed by General Reid as one of "Twelve Marches." In the concert programme for the 1892 Reid Concert Professor Frederick Niecks writes, "Twelve Marches," arranged for a full band of wind instruments by "the celebrated Mr Winter, late composer for the Opera in London." As Peter Winter was in London from 1803 to 1805, the Marches must have been published after this time."
This March was the first work to be performed by the newly-formed Reid Orchestra in its first concert on 5 May 1917. In the printed programme book for the concert, Professor Donald Francis Tovey writes:
"By the terms of General Reid's Bequest, one of his Marches is to be performed at the 'Reid Concert,' to be held on or after his birthday. The present March was, at an early period in the musical history of Edinburgh, furnished with a spirited poem, from which it takes its title; and as soon as the Reid Orchestra can join forces with a chorus, the custom of treating this March as our 'Gaudeamus' chant will be revived ... He further stipulated that the selections from his compositions should 'include a solo for flute, clarinet,' or other instrument. This modest demand came to be misinterpreted in a past so remote that no Reid Professor within living memory has had any chance of suspecting that the clumsy and pretentious orchestral scraps hitherto known as 'the Reid Music' have done gross injustice to 'the taste of his time and the perpetuation of his memory.' The March is performed standing, according to custom."
This March is widely heard today as it has been selected as the Regimental Slow March of the Scots Guards.